| Type
type is one of the basic design elements that can be
used to communicate a message to an audience in creative and expressive
ways
Designing with type
typographic elements are used to communicate messages
and, similar to graphic elements, must be integrated into the visual design
- text to be read
- visual element
Message
type is typically used to communicate a specific message,
for example
- the name of a product
- title of a book
- contents of a package
- date and time of an event

Mood
the visual form of letters can convey a mood that adds
to the meaning of the words or communicates different messages
- appropriate typefaces reinforce words with contrasting meanings,
peace-war
- different typefaces convey different messages, shock or sacred
Format
the function, size and shape of the design format are
important considerations when designing with type
- a poster contains limited information intended to be hung and read
at a distance
- a newsletter contains more extensive information intented to be held
and read up close

Terminology
working with type requires the understanding of a few
basic terms
- typeface is the design of a set of letters, numbers and symbols with
consistent visual properties, it defines the essential look of characters
- type
style refers to variations in a typeface that create variety while
retaining its essential character, including weight (light, medium,
bold), width (condensed, regular, extended), angle (roman, italic) and
elaboration (outline, shaded, decorated)
- type
font is a complete set of letters, numbers and symbols in a particular
face and point size
- most software use the word font (incorrectly) in place of typeface
Measurement
the various dimensions of type
- point
size is the height of type (1 point = 1/72 inch)
- body copy is typically between 6 and 14 point, most often between
8 and 12 point
- display type (larger than 14 points) is used for titles and headlines
- type leading
(also called line spacing) is the vertical spacing between lines of
type measured in points, a good rule of thumb is to add two points to
the point size for leading
- specifications for type are typically indicated by size and leading,
for example 10/12 indicates 10 point type with12 point leading
- kerning
and tracking
refer to the spacing between characters
Classification of typefaces
typefaces can be divided into a few basic categories
- serif
faces have small lines stemming from the strokes forming the letters
and usually have varying stroke weights (thick and thin strokes)
- serif faces are also called Roman
faces and can be categorized into old style, modern and slab serif (or
Egyptian)
- sans
serif faces lack serifs (sans means without) and usually have uniform
stroke weights
- script
faces resemble handwriting and are usually slanted and joined
- decorative
faces are specialized and usually ornate
Considerations
there are a number of issues, concerning both meaning
and the form, which should be considered when designing with type
- is typeface appropriate for message or spirit of design - example
one
- is typeface appropriate for the audience - example one
- are size and font readable
- are different type styles used and if so do they compliment each other
- example one
- do letter spacing, word spacing and line spacing enhance legibility
- is there a hierarchy of type corresponding to emphasis of message
- example one
- does type work as graphic element - example one
- does type adhere to principles of design (balance, rhythm, hierarchy,
unity) - example one
and two
- does type set up a rhythm or flow
- does type visually express message - example one
and two
More examples
using type as an effective design element
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